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The De Morgan Foundation

William De Morgan and Leighton House

Hosted by: The De Morgan Foundation

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Feb. 8, 2024
- 6:45 p.m.

Gallery 11

The De Morgan Foundation

A talk by Daniel Robbins exploring the collaboration between stained glass and pottery designer, William De Morgan, and artist, Frederic Leighton, in the creation of Leighton House, his studio-house in Kensington, London.

The talk will trace the story of the commission and the sequence of events that led to the creation of Leighton’s Arab Hall as an extension to the original house in the late 1870s.  Following the transition of Leighton’s home into a public museum, De Morgan’s legacy continued to be felt through the close involvement of Ida Perrin, whose Bushey Heath Pottery was the last manifestation of the De Morgan ‘style’.  Ida Perrin and her husband funded the first major extension to Leighton House in the late 1920s, presenting important examples of both De Morgan and Bushey pottery to be shown in the new gallery spaces. Some of these items are now on permanent display following the recent refurbishment of the museum.    

 

About the speaker

Since 2000, Daniel Robbins has been Senior Curator, Museums with the Royal Borough of Kensington and Chelsea, responsible for two of London’s most significant house museums: Leighton House and Sambourne House.  Formerly with Glasgow Museums, he has organised many exhibitions and contributed to numerous catalogues and publications around nineteenth-century art, architecture, and design, including the authorship of the companion guide to Leighton House Museum published in 2011.  He was responsible for leading the award-winning project to restore the historic interiors of the house completed between 2008 and 2010, and the recent £9.6 million refurbishment of the twentieth-century additions to the original house.

 

Image credit: (detail) Arab Hall, Leighton House, photographed by Dirk Lindner, courtesy Royal Borough of Kensington and Chelsea.

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About the Hosts

The De Morgan Foundation

The De Morgan Foundation

William and Evelyn De Morgan were artists who believed that their artwork could make the world a better, more beautiful place. They were married in 1887, entering into an equal partnership in which each supported the other in artistic endeavours. Evelyn De Morgan (1855 - 1919) painted stunning canvases, inspired by the Aesthetic movement, and Pre-Raphaelite Brotherhood, which promoted her feminist, spiritualist, and pacifist agendas. She was a true professional whose commercial success kept the couple, and enabled William De Morgan (1839 - 1917) to maintain his pottery business. William's unique ceramics were handmade in Chelsea, Merton Abbey, and Fulham by a small team of dedicated staff, upholding William Morris's Arts and Crafts Movement ideals that objects should be both beautiful and useful.
 
Upon the deaths of the artists, Evelyn's Younger sister Wilhelmina Stirling began collecting as much of the De Morgan's artwork as she could, believing in the power of their art to transform and uplift the lives of others with its beauty. She left her collection in trust upon her death, and the De Morgan Foundation was registered as an independent charity in 1967.
 
Today, The aims of the charity are as follows:
  • To care for the De Morgan Collection and provide public access to it
  • To provide information about and interpretation of the Collection on many levels, and to promote the appreciation of art and education in art and allied subjects
  • The Foundation offers the widest possible access to the Collection to the public via strategic partnerships with complementary organisations across the country, through a series of loans and temporary exhibitions.
It also provides an online, searchable database of the collection and images of the artworks themselves, as well as information about the collection and the life and work of the De Morgans.

The Foundation also runs educational programmes, activities, talks and events, to encourage exploration, understanding, appreciation of and insight into the Collection.